En La barraca de feria (1912), identifica dos tipos: el primero trata de imitar a los actores de carne y hueso, mientras que el segundo se mantiene fiel a su propia naturaleza no humana. | In The Fairground Booth (1912 essay), he identifies two types of puppets: the first tries to imitate actors of flesh and blood, while the second stays faithful to its own non-human nature. |
